Exposure to survival (control and monitoring)

The exhibition deals with public consciousness and the public subconscious. The term “exposure to survival” associated with this project is to reveal hidden levels of knowledge or factual stages of reality, relative to post-industrial culture. Its purpose is to hide its interests, by forcing consumption and poverty on the mass population.

The definition of the X-format separation of the corridor walls represents the difference between the interpretation of reality and reality itself, how should we fill the gap? If reality is not revealed by a front, by an image or any way of externalization or pretension, this reality is more related to opposing forces, it creates self-definition and identity through the separation of power between a human entity and the relation to mass production and consumption.

An example from another field can shed light on the subject, using biological definitions such as ‘parasite’. ‘Identity’ is the bacterium and ‘definitions’ are the superconductor. The virus exists in one person and comes out of necessity for survival to a group of people for the purpose of culture growth. This is one of the ways in which ideology is rooted.In this work we have developed a process of participating in subversive hidden activities. Visitors will enter the corridor space environment and they will participate in a game of hidden meanings, they will participate in certain and unclear activities. The risk is to be defined without choosing to belong to the way of thinking leading to actions approved by bad behaviors and actions.

Middle class front among artists and art institutions represented by front performances refers. Outwardly, the institute presents a compelling truth, while beneath the surface there is an accumulation and assembly of flaws, dangers, spoiled things. Things that are not handled properly, the artist is allowed to point out his ailments and flaws in the government, it is a matter of choosing between centers of power belonging to the representation of the recruited artist of the state and the minority willing to take the risk and take to the streets to demonstrate.

The artist does not participate in the orgy of placing national flags, is a silly external cultural body, created alongside a productive political culture and reveals what in the belly of a radical artist tries to expose the subversive reality and try to create a request for a cultural response. While the government front is rigid, they are in no hurry to change and it takes time and a process of gradual disintegration .

But instead of pain, of huge debts, scandals have the possibility of reorganization. The artist can describe things metaphorically. This is not about preservation, but about dismantling, revival and research. Pace’s zoom stagnation in this front but of course also daunting.