Projects
Names
Poznan Poland
Video and sound, installation, performance,
Introduced a small group of people enlisting on behalf of urban researchers. In post-socialist countries they are interested in abandoned, closed, marginal and unusual places in the urban space - so-called places of nowhere. Non-places are not empty of meaning, but their meanings are stratified and often contradictory.
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Reflections
Tang Gallery 'Reflections' Beijing 2015
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Transition message
Installing a sound, exhaling court is an expression of waiting. We are suspended in the gap between the personal and private issue and the institutional self, which complies with and is governed by the laws of society. This is a demilitarized zone. Exhalation creates a protected environment, we stay in this no-man's land where we can pay attention to the echo of sound, listening and vibrating the sound in our body. The culture of the mass society requires a rigid rule, it needs commands and norms.
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Space of Leaving
Kreis Gallery, Nuremberg Germany, curator Thomas Mai
In his book, “Inside the White Cube – The Ideology of the Gallery Space”, Brian O’Doherty (1976) relates to the white cube, that is – the gallery space, as a potential symbol for buffering the artist from society. In order to present his work, argues O’Doherty, the artist leaves behind the normative public space in favor of the separated space, where concepts of time and space receive a different meaning.
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Approximately equal
Skala Gallery, Poznan Poland, curator Marek Wasilewski.
The exhibition poses questions about interpretation, about what we see and how we experience it.
Merleau-Ponty claims that our vision is what allows us to map the world and to move around in it and explore it bodily. Our bodies and the world are made of the same stuff, the same fabric. Our visual experience of the flow of the ink is dynamic, immediate, and non-representational.
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Intervals'
Wschodnia Gallery, Curator Adam klimczak 2019
The exhibition explores the possibility of a world breaking through the artistic
medium, leaving material and interpretation behind, and penetrating into its essence.
Refers to the artistic medium as a conduit, and seeks to explore the degree of art's
ability to express the essence it transmits itself through the medium "Place" is the
space loaded with history, identity, in the anthropological sense of the word. "Space",
on the other hand, is free of all identity and history, and independently operates for all
its "places" that make up it.
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Poznan Synagogue
If a place can be defined as relational, historical and concerned with identity, then a space which can not be defined as relational, or historical they are non-places, meaning spaces which are not themselves anthropological places, do not integrate the earlier places: instead these are listed, classified, promoted to the status of 'places of memory', and assigned to a circumscribed and specific position.
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Facade
Description
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April 9
Video-performance
Chorlton Hall, Jerusalem
'Heara 8' - Comment on Schools and Hospitals
Place, as defined here, is not quite the place opposes to space (in the same way that the geometrical figure is opposed to movement, the unspoken to the spoken word or the inventory to the route): it is place in the established and symbolized sense, anthropological place.
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